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Public Service Broadcasting
The beginnings of Public Service Broadcasting
within Britain can be traced back as far as 1922 when in
this year the Post Office set up the British Broadcasting
Company. It was originally set up as a co-operative of radio
set manufacturers whose aim was to protect the business
interests of companies who made broadcasting equipment. The
decision was made that this service was to be financed via a
licence fee which was to be paid by all those in possession
of a radio set. The end of the war provided the best
circumstances and support for the formation of the BBC. The
development of the public corporation depended on the
rejection of market forces and a general acceptance of
intervention. In 1934 Beveridge argued; “in a free market
economy consumers can buy only that which is offered to
them, and that which is offered is not necessarily that
which is most advantageous. It is that which appears to give
the best prospect of profit to the producer”. Beverage was
not alone in his attitude rather it was a view mirrored by
many in society at this time. In 1936 the introduction of
television extended the influence of the BBC from merely
radio broadcasting and this new medium meant that the BBC
succeeded in maintaining a monopoly over British
broadcasting.
The foundations of public service broadcasting
placed prominent emphasis on public duty, on providing for
all, on informing, educating and entertaining. Problems
however arose concerning the need for accountability on the
part of the broadcasters with their need for a high degree
of autonomy in order to carry out their work without undue
political or other constraints. As means of solving this
issue, power was delegated to a broadcasting authority to
run the service along the lines decreed by parliament. The
aim was that it would ensure the broadcasting institution
was ultimately accountable to parliament yet at the same
time free from direct governmental control. This body of
regulation was later succeeded by the Independent Television
Commission in 1991.
In 1949 the first Committee on
Broadcasting was set up, which included a Minority Report by
Selwyn Lloyd. In this report Lloyd stated “I believe that
the only effective safeguard (against the dangers of
monopolistic powers) is competition from independent
sources. He went on to say “if people are to be trusted with
the franchise, surely they should be able to decide for
themselves whether they want to be educated or entertained
in the evening…. as long as provision is made for those who
wish to listen to classical music or plays ect. I see no
reason why there should not be competition for listeners in
the rest of the field. I much prefer to leave the rest to
the freedom of choice rather than to ‘the brute force of
monopoly’”. The Labour government’s responses to this report
however, was to lend support for the continuation of the
monopoly. Reith (the BBC’s first director general) too was
determined to avoid mediocrity which he believed would
accompany freedom of choice. 5. In 1924 he wrote; “it is
occasionally indicated to us that we are apparently setting
out to give the public what we think they need not what they
want, but few know what they want and very few what they
need” Reith therefore believed that the duty and function of
the BBC was primarily educative and that its purpose was to
train ‘character’.
This however caused problems for the BBC
particularly after 1940 with the growing notion that modern
wars change the status of entertainment; leisure is seen as
an aspect of ‘public morale’ and there was much agreement
that more light music, comedy, crooning and jazz were
justified by the immediacy of wartime demands.
Attempts previously to introduce alternatives
in broadcasting had always met with failure however the
election of a conservative government in 1951 saw the start
of a concerted campaign in favour of commercial television.
Finally in 1954, following considerable lobbying the
Television Act was passed. This Act set up the Independent
Television Authority which was designed to supervise a
federal structure of commercially funded television
companies. It was here that ITV was born and it was to rely
solely on advertising for its revenue. Later there was also
to be the creation of BBC two in 1964 and channel four in
1982, both were set up in order to extend the range of
public service on offer and to cover areas and content not
already occupied, predominantly providing for the
minorities.
The introduction of ITV was for Norman Collins of great
importance. He felt that the introduction of commercial
broadcasting had brought about a revolution because it
challenged the complacent pre-war conservatism of the BBC.
He argued that the corporation was staffed by narrow minded
middle class professional bureaucrats who had little
sympathy for working class interests.
ITV and the BBC both had their own separate
sources of funding and this was seen as an important
advantage. It meant that they would not have to chase the
largest audience nor produce lowest-common-denominator
programmes in order to please as many as possible. Each
broadcasting organisation could therefore pursue its
programme policies without fear of a direct challenge to its
sources of revenue. However it soon became apparent that
this was not to be the case. The immediate popularity and
novelty of ITV forced the BBC to review its output and made
it aware of the need to survive in an increasingly
competitive environment. From the very beginning ITV
concentrated on providing ‘popular programmes’ preferring to
focus on entertainment as opposed to education. In 1958 the
BBC saw its share of the audience dramatically decrease. In
the television ‘top ten’ ratings for the 18th September 1960
there was not a single BBC programme to be listed.
Consequently it has been argued that the commercial
competition changed the BBC in that it forced the
corporation to consider public wants more seriously. 7. As
one Daily Mail critic wrote; “the BBC will have to abandon
the ivory towers for the beaches!” Previously viewers had no
programme choices and there was no question of who should
obtain the licence fees, yet now this had all changed.
Arguably the introduction of Independent Television
undermined the BBCs’ historical sense of privilege and
security; it threatened the position of the BBC as the main
instrument of broadcasting and also threatened its claims to
the full licence fee.
The pressure applied to public finances in many
countries during the 1980s produced a turn against state
monopolies and a trend in favour of markets. The economic
crises experienced by western industrial nations led many of
them to begin to deregulate their economies in the hope of
stimulating competition and increasing business activity and
employment. Throughout this period public service
broadcasting was compared unfavourably with the ‘real choice
offered to consumers by a more effective market’. Numerous
reports, government green papers and bills proposed to ‘set
free broadcasters from the narrow constraints of control’
furthermore it was continuously argued that satellite, cable
and a deregulated broadcasting system would be able to offer
the public a greater choice of programmes more suitably in
line with their wants through the competitive pressures of
the market. The Peacock Report of 1986 was particularly
influential in its argument that the broadcasting market
should be opened up, and for many this alone signalled the
end of public service broadcasting.
In the past publicly owned broadcasting was
appropriate as there could be no entry into the broadcasting
market, yet now entry into broadcasting was possible.
Digital technology permitted many more channels to be
carried, both by traditional terrestrial transmitters and by
satellite.
With this communications revolution there was an increase in
channels specialising in particular programme types, such as
news, music or sport. It is thought that viewers of the
future will be charged only for the programmes they watch in
a pay per view system. Yet this ability to select and pay
raises many questions. Why for instance would anyone
continue to use generalist broadcast channels, and why
should they pay for a majority of unwatched, unchosen
programmes? Yet a greater question raised by this idea of
pay per view is what about those who can not afford it, this
is particularly significant for any democratic society which
insists that everyone should have access to information no
matter what their social status might be.
Although the BBC is funded by licence fees and
is independent of advertising revenue, change in the
commercial broadcasting market has influenced the BBC’s
behaviour. The BBC undoubtedly strives to maintain high
audience share believing that, should sufficient numbers of
UK viewers and listeners cease to use BBC services, licence
funding will loose its legitimacy.
Certainly in the 1990s with the development of cable and
satellite stations and their increasing consumption many
commentators predicted that the BBCs share of the total UK
market would hit a ‘legitimacy barrier’ below which public
funding would no longer be defensible. Yet so far we can see
that these predictions have failed to materialise.
There is however evidence from Preston which
emphasises the decline of Public Service broadcasting. 9. He
shows that in 1980, around 75percent of European channels
were public service ones, yet by 1995 this figure was less
than 25percent. However more recent sources which have
focused simply on broadcasting within the UK have produced
contradictory results; official doctrine from 2002 shows
that the five major terrestrial channels together account
for up to 80percent of UK viewing.
One of the major reasons why there is such
widespread talk concerning the end of public service
broadcasting has much to do with the process of
globalisation. It is argued that within a now globalised and
interdependent world, the concept of the nation is
increasingly fragile because the processes of cultural
homogenisation make national distinctiveness and national
identity difficult to define. Consequently Public Service
Broadcasting is faced with a crisis of legitimacy due to the
fact that it is unsure what public it is supposed to
represent.
Liberalisers talk of privatising the BBC on the
assertion that competition improves efficiency and will
increase choice; they maintain that technological change has
facilitated effective competition in broadcasting and that
the public interest can best be served through the operation
of the market. Yet advocates of public service broadcasting
argue that competition will not guarantee quality, diversity
or impartiality.
Furthermore there is fear that privatising the
BBC would mean placing the control of a key instrument of
democracy in the hands of its owners. This is of course
worrying especially when you look at the concentration of
media ownership. In countries where the media are almost
exclusively privately owned, there is general agreement that
such ownership is becoming more strikingly concentrated in a
limited number of companies. This increased concentration is
referred to as conglomeration and for Murdock it poses an
important question; does private ownership on this scale
mean that there is a conflict between the role of the media
‘as a key resource for citizenship and its economic base in
private ownership?’. Or is it that this pattern of ownership
is the guarantor of a free press and an open media? The
political economy perspective argues that private ownership
on this scale leads to a media that is biased and limited in
scope and diversity
This can be seen through Herman and Chomsky’s idea of the
‘propaganda model’ in which they argue that the mass media
is a transmission belt for the ideas and ideologies of the
powerful, a group they see as including governmental and
corporate elites. The deepening of ownership can be achieved
in three ways. The first is horizontal concentration which
is when one media company buys into or merges with other
media companies that serve the same market.
The other two forms however are known as
vertical concentration. The first type of this form involves
corporations which make and distribute programming who then
buy into,or are taken over by ones that manufacture the
hardware used to show media products, items such as video
recorders. The second form consists of corporations which
are established in one area of the communications industry
and then buy companies in other sectors of the business. The
largest example of this to date can be seen with the merger
of America-on-Line and Time Warner in 2002.
Television is certainly one of the most
important mediums for the communication of information so
consequently questions of power and control behind
broadcasting are of great importance, it can be said that
the output of television is a ‘heavily selected
interpretation of events, one which structures reality for
us, which shapes and frames a world for us to inhabit and
accept as real and legitimated, one which sets the agenda
within which….we are led to discuss the terms of our lives’.
For Marx this argument goes even further, his theory
suggests that because of the unequal distribution of wealth
in society, only certain groups have access to ownership,
and that in order to maintain their position at the top of
the social and economic stratification they will use the
media to consolidate their power and wealth. Marx went on to
write that there is a very close connection between the
control of material wealth and the control of ideas and
culture, for the ruling class is able to dictate, because of
their control of the ‘means of mental production’ such as
the media, the context in which people think about the
world. Liberal theorists on the other hand however reject
this argument, claiming that ownership is not a significant
factor in understanding how ideas come to be produced and
circulated, because they assert that everybody is free to
own and run media corporations.
Despite many commentators arguing that the age
of Public Service Broadcasting is over there are many
counter arguments insisting that this type of broadcasting
will survive. There is one particular reason as to why
public service broadcasting is important to society and that
is because it is trusted. As the choice of programmes
swells, consumers are likely to place increasing value on a
service provider whom they trust to select and package a
flow of products. The BBC for example is trusted to select a
flow of programmes partly because it is non-commercial, and
therefore able to serve users interests without pre-emption
by shareholders
Furthermore for many the BBC has over the years
acted as an instrument of positive regulation; encouraging
certain types of behaviour. Through its presence it has
provided an important benchmark of standards which
competitors have had to acknowledge. It is argued that the
very existence of the BBC works to compel other broadcasters
to maintain and improve the quality and character of their
own services. This argument emphasises the importance of
public service broadcasting as it has a positive impact on
all television and radio consumed. It is therefore claimed
that as long as the BBC remains a powerful competitor in
broadcasting markets it services will offer benefits to all
viewers and listeners even including those who do not
consume them.
Nicholas Graham for example argues that new
technology will not determine the future of broadcasting,
rather consumers will. He believes that the majority of
consumers will continue to enjoy broadcasting as well as new
interactive delivery mechanisms. That the new media will
supplement Public Service Broadcasting not replace it.
There have been many examples throughout media history,
whereby technological revolutions were predicted to replace
the existing medium. Yet in most cases the new media did not
replace the established media completely. For example radio
and cinema have both survived television.
The creation of the BBC as an independent body
initially had the predominant aim of informing the public as
a means of enabling them to make educated and rational
decisions. Today this notion is still upheld and the BBC
remains an institution people rely on for independent,
impartial information. Moreover if universal access to
information is so essential in terms of freedom and
democracy why then is public service broadcasting under
threat, surely in this sense its end can not be justified.
It is in this context that the fate of public service
broadcasting assumes an importance as it is often
represented as the defence of the democratic ideal against
the commercial one. Furthermore public service broadcasting
is based on addressing its audience as citizens as opposed
to consumers and therefore has a mandate to tell them what
they want to hear as well as what they do not.
Multinational corporations seeking to extend their media
portfolios constantly see Public Service Broadcasting as an
obstacle to their ambitions and so for many years now their
pressure on government has been unrelenting. So perhaps what
might be seen as the greatest hazard facing Public Service
Broadcasting is the degree to which governments support it
in the future and the degree to which governments concede to
the demands of media corporations.
Of course the future is unknown and so
predictions as to the end of Public Service Broadcasting or
to its continued importance deserve to be treated
sceptically.
Yet based on the sources I have read and in conjunction with
my own assertions I conclude that there is no justification
for abolishing or privatising public service broadcasting
and I do not believe it will happen for quite sometime if
indeed it does happen at all. Although I acknowledge that it
is currently under attack I do not see that these threats
have enough substance and support to bring about such a
radical change.
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